Programme/Approved Electives for 2023/24
None
Available as a Free Standing Elective
No
Film style is one of the primary ways through which we understand and appreciate any given film, but how do we identify its effects on viewers? And how, too, do we make sense of the evolutions of style across different contexts of film production? This module provides an invaluable grounding in the analysis and theoretical understanding of film style, in terms of its historical development, its movement across different sites and cultures of film production, and its basis in technological invention and change. Combining the close analysis of particular films and film tendencies, with a comparative view of changing conventions and innovations, the module will give students the technical and analytical vocabulary to identify, and discuss the impacts, of film style across and within a range of contexts. As such, it will be an important base for the further study of film, as well as the application of theoretical ideas of film style to practical filmmaking options.
Aims
This module will provide students with the historical and theoretical knowledge, and the analytical tools, to be able to identify and discuss film style across a range of film-production contexts. It will inform wider study and analysis of film at all subsequent levels, and also support students engaged in practical filmmaking options.
Intended Learning Outcomes
Identify and compare different film styles across specific contexts of film production: 1,2Enter into theoretical discussion around the impacts of film style choices, and the ideas and intentions behind them: 1,2Demonstrate their understanding of film style and its effects, via close analysis and discussion of content: 1,2Produce detailed and informed works of film analysis and comparison, utilising screen images in conjunction with textual discussion: 1,2Apply knowledge of film style both to wider practical work, and other theoretical and historical discussions of film at all levels of study: 1,2
10 x 2-hour film screenings, including short introduction = 20 hours12 x 1-hour lectures = 12 hours12 x 1-hour seminars = 12 hours1 hour individual discussion/feedback of assessment = 1 hoursReading and preparation for seminars 12 x 2 hours = 24 hoursPreparation for first assessment = 31 hoursPreparation for second assessment = 50 hours
Description of Module Assessment
1: Commentary weighted 40%Scene CommentaryStudents can choose one of two options for the commentary. In either option the commentary will be based on a short chosen scene from a list of films provided by the tutor:
1) They will produce a 500-word written scene commentary. The commentary will analyse and contextualize specific choices of film style within the chosen scene. The students will make extensive use of screen images in conjunction with their discussion, in support of their argument
or
2) They will produce a short film (maximum 3 minutes) using the chosen scene as its primary basis. Students can choose to produce a spoken commentary over the visual images or enter text within the image itself. Students will be able to manipulate the screen image (freeze-frames, highlighting, signing, amplification, etc) as part of their argument.
For either option, students should make use of available academic material in support of their commentary.
2: Essay weighted 60%EssayStudents complete a 1000 word essay comparing and contextualising the stylistic choices across two films from different contexts of film production. Students may make their own choice of films, and are encouraged to compare either individual scenes, or common stylistic traits relevant to each film as a whole. Students are required to make use of suitable academic materials in support of their discussion, and are encouraged also to make use of appropriate screen images.